Yorubas have a lot of beliefs about many things but the beliefs they have about menses, menstruation and menstrual blood will petrify many. Enjoy this piece.
He is the husband,
He is the wife.
Warm like the sun,
Cool like the harmattan.
He builds a house of parrot’s feathers
a wall of darkness
that reaches into the sky.
In this poem above, the iko oode or ikoode are the crimson tail feathers of the African Grey Parrot and they represent the aje (mother) of menses while Oduduwa (who can be male or female depending on the part of Yorubaland you are from): builds a mansion of aje that changes into the uterine calabash of cosmic proportions.
A woman in Yoruba beliefs, is not seen as an object of impurity, either with or without the menses. The female is accorded the greatest sense of respect in Yoruba traditions and that explains why many of the gods and divinities are demonstrated as female entities. Even Oduduwa and Olodumare (Creator God) are seen as females by some Yorubas. Unlike what obtains in some other Middle Eastern religions where a menstruating woman is forbidden from certain acts of worship or even sexual intercourse or in Hinduism where menstruating women are banned from the temples, menstruating does not stop a woman in Yorubaland from carrying out any of her religious duties. As a matter of fact, men become babalawos and almost never an Iyalawo and that is because women are believed to be the source of the secrets that the Babalawos (men) are searching for. That explains why Babalawos often turn to the Iyas and Awon Iyami Oshoronga for help and assistance from time to time. In short, menses does not diminish a woman in any way in traditional Yoruba religions. A woman is seen as the embodiment of divinity and the living manifestations of Olodumare or the Odu.
Menstruating women are not barred from Ifa because they are seen as the sources and activators of the Ifa oracle itself. Like the males, they can take all their time to learn the Odu Ifa with its countless Ese Ifa, medicines and prescriptions of power.
Menstruation is no obstacle for a girl or woman in Yorubaland.
Osun is the root word of irosun, which represents menstrual blood. In Yoruba mythologies, blood is not only necessary and relevant to one’s lineage, it is also an integral part of the destinies of humans. Irosun is also the red powder from the camwood tree that is used to consecrate the pot (Odu) of Ogun, the god of war and iron. Blood in Yoruba mythology is generally seen as a type of fertilizer, which explains why shedding blood to the earth in forms of sacrifices is quite common.
The reason Yoruba men and even other men in some other cultures are afraid of being slapped with a menstrual cloth of a woman is that the woman’s (usually his wife or mother) body is her Apere, representative of the Odu so the fear stems out of respect and reverence and not out of repulsion or hatred. This is based on the deep-rooted belief that a woman’s breasts, menses and her vagina are her actual sources of power as seen in the Igbadu and for a woman to go naked deliberately out of fury or slap the man with her menstrual cloth is seen as the height of anger or disapproval from the woman, something the men do not want. Female sexuality plays a great role in Yoruba cosmogony and that men can see glimpses of heaven through the female sexual organs during coitus means they are objects of intense worship. But it is known among the Yorubas that the same path that can lead to bliss can lead to eternal damnation so when a woman deliberately exposes her nakedness or hits the man with her menstrual cloth, it can derail his destiny forever. To be slapped with the menstrual cloth of the mother is to be rejected by the ancestors and the unborn generations forever. Because men came from women (that is the belief in Yoruba traditional religions and not the other way round as seen in other Middle Eastern religions where the woman is believed to have come from the man), he cannot destroy that which created him (the woman or female body) no matter how much he tries.
Menstrual blood is sacred among the Yorubas.
Yorubas seen the crescent moon as a symbol of renewal, freshness and regeneration. This is why they call the menses nkan oshu meaning ‘sign of the moon’ as oshu (oshupa) means the moon. This is because the women use the waxing and waning of the moon phases as a calendar for their cycles. When the moon is at its highest level of waxing, maidens and new brides pray to it to grant them ‘newness’ (fertility) and the strength to carry a child on their backs. Thus, menstrual blood in Yorubaland does not come with fear, disgust or seen as impure. It is rather seen as a sign of renewal, bounty and fertility. That explains why some priests use menstrual blood of a virgin (or any lady) to do some of the most powerful magic charms eyonu or ogun owo , the charm for fame and wealth. This is because menstrual blood is considered to be sacred and powerful. This belief is also seen among the Cherokee Indians of North America and in various tribes of Africa.
Menstrual blood can also be used in some rituals in Yorubaland. For example, one of the most powerful women in the traditional Yoruba society known as the Iya Lekuleja can prepare one of the most potent medicines by removing her cloth, standing naked before everyone, moving round a circle countless times while reciting incantations quickly then kneeling over a calabash and washing her breasts and vagina (with its menstrual fluid) inside it. This concoction is then given to the subject, usually a son or any male, to drink. By kneeling and assuming the posture of Ikunle Abiyamo, Iya Lekuleja is believed to open access to her sacred Igbadu and her Aje for the subject to tap from the powers within. When the son drinks the potion, he is believed to be a born again as he tasted his mother, via the cleansing waters of her vagina and the omi ero of her breasts.
Some Yorubas hold the belief that a menstruating woman can render the magic or the charms of a native doctor useless.
The Yoruba belief is that menstrual blood has healing powers. Well, this is true and it is confirmed by modern science. The stem cells in menstrual blood have the same powers of regeneration as the stem cells harvested from the umbilical cord blood and the bone marrow. How the Yorubas of the old knew that menstrual blood had regenerative capacities should be a source of curiosity to us all. Scientists are already thinking of how to use menstrual blood stem cells to treat heart diseases, stroke, Lou Gehrig’s disease, Alzheimer’s disease, amyotrophic lateral sclerosis and a host of other diseases.
Red, the colour of menstrual blood is also one of the three main colours of the Egbe Iyami Oshoronga (red, black and white) with the red standing for not just the menstrual blood but also the activation and authorization of the ashe (divine order). For the curious, black represents vitality, pure melanin and perfection in Yorubaland while the white stands for the ancestors.
Because of the mystic power attached to menstrual blood, all women are seen as potential members of the Iyami Oshoronga cult as they are all linked through their menstrual blood. So far from being an impurity that will taint the sacred and pure, menstrual blood is seen in Yorubaland as a source of purity and sacredness in itself. This explains why women are not prevented from reaching the highest levels of hierarchy in the traditional Yoruba religions simply because they bleed
Wednesday, 7 September 2016
Saturday, 27 August 2016
4 Hard Truths......
Money is a hoax
“The Western worldview says, in essence, that
technological progress is the highest value and that we were born to consume,
to endlessly use and discard natural recourses, other species, gadgets, toys,
and often, each other. The most highly prized freedom is the right to shop. It’s
a world of commodities, not entities, and economic expansion is the primary
measure of progress. Competition, taking, and hoarding are higher values than
cooperation, sharing, and gifting. Profits are valued over people, money over
meaning, entitlement over justice, “us”
over “them.” This is the most
dangerous addiction in the world, not only because of its impact on humanity
but because it is rapidly undermining the natural systems that sustain the
biosphere.” –Bill Plotkin
It is not the more evolved
aspect of ourselves that tricks us into thinking that we need money to survive;
it’s the less evolved aspect of ourselves that does the
tricking. With our advanced technologies we imagine that we know the way the world
works, when, for the most part, we have forgotten how everything is connected.
Until we can relearn “a
language older than words,” and once again
engage in a healthy dialogue with nature and the cosmos, we will continue to be
tricked by the less evolved aspects of ourselves. The more awareness we bring
to this extremely complicated cognitive dissonance, the more possible it will
be to achieve an ecologically, economically, and socially sustainable world.
As it stands, however, the
Federal Reserve is a house of cards guarded by a red herring. Money is the
opiate of the masses, and the masses are too busy spending it on worthless crap
to get to know each other as healthy individuals, let alone as a healthy
community. We have become Pavlov Dogs, and money is our dinner bell. But money
was never meant to be horded, or even amassed, it was meant to circulate as a
way of uplifting the community. And yet here we are, hoarding and amassing,
while our communities are in unhealthy disarray. It’s
high time we abandoned the force-fed shibboleth that having more money makes us
better people. It doesn’t. Being healthy, compassionate and moral is what
makes us better people.
2) Debt is fiction
“There are two ways to conquer and enslave a nation.
One is by the sword. The other is by debt.” –John
Adams
Unfortunately our nation has
been enslaved by debt. Our current system is not an economic system at all, but
an ecocidal system; an intrinsic obsolescence of conspicuous consumption. It’s
a grave misfortune that efficiency, sustainability, and preservation are the
enemies of our socioeconomic system. This has got to be the most bizarre
delusion in the history of human thought, a retarded Ponzi scheme en masse.
But it’s
difficult to get people to understand something when money, and especially
debt, prevents them from understanding it. Instead of ownership, give us
strategic access. Instead of equity, give us equality. Instead of
one-track-minded profit, give us open-minded people. Instead of unsustainable
monetary-based economics, give us a sustainable resource-based economy, which
is basically the scientific method applied to ecological and social concerns.
As tough as it is to hear,
nature is a dictatorship. We can either listen to it and fall into harmony or
deny it and suffer. Ask yourself this question by Fleet & Lasn: “When
the economic system fails, will we know how to behave, how to act, how to
appreciate, how to value, how to survive, how to be and how to love in a world
that no longer defines relations by money?”
3) Media is manipulation
“Any dictator would admire the uniformity and obedience
of the U.S. media.” –Noam Chomsky
Media has always been an
effective method for manipulating people. We are social creatures who are also
psychological creatures. This combination makes us unwittingly vulnerable to
the power of suggestion. As it stands, media has been our Achilles Heel. These
days the “news” we receive from
corporate media is more likely to be disinformation. Skepticism is a must when
reading or viewing the information provided by these outlets.
Defenestrate your TV set!
The key: Don’t
believe anything you hear and only half of what you see. Analyze the Kool Aide
before you swallow it. Even then, be prepared to vomit it back up at the first
sign of deception. Remain circumspect and question all authority. They don’t
have our best interest at heart. They only want our money, and to remain
powerful.
Like Wendell Berry wrote in
the Unsettling of America, “People whose
governing habit is the relinquishment of power, competence, and responsibility,
make excellent spenders. They are the ideal consumers. By inducing in them
little panics of boredom, powerlessness, sexual failure, mortality, paranoia,
they can be made to buy virtually anything that is “attractively
packaged.””
We are slowly becoming more
aware of corporate media lying to us. But they know we know they’re
lying to us. And we know they know we know they’re
lying to us. With enough inertia, this debacle of a process just continues
until we are eventually lying to ourselves. And here we are. Like the great
Baruch Spinoza once surmised, “The supreme mystery
of despotism, its prop and stay, is to keep men in a state of deception, and
cloak the fear by which they must be held in check, so that they will fight for
their servitude as if for salvation.” And here we are,
unless we decide to wake up.
For it is seeking you
4) Government is a
corporation
“The end of democracy and the defeat of the American
Revolution will occur when government falls into the hands of lending
institutions and moneyed incorporations.” –Thomas
Jefferson
Here’s
the thing: we do not live in a democracy, and we probably never really have. A
prestigious Princeton study recently concluded that we live in an oligarchy:
rule by a few individuals. And these individuals just so happen to be
plutocrats, making this particular flavor of oligarchy a plutocracy: rule by
the rich.
The problem is that money
itself has become an immoral agent within an otherwise amoral system that
praises itself as moral. Ask yourself: do you wish to live out harried lives of
nine-to-five slavery, giving up your days to heartless corporations that don’t
give a damn about anything except making money, or do you wish to live a happy
life of loving compassion, doing what you enjoy, in spite of plutocracy,
oligarchy, and tyranny?
The Occupy Movement succeeded
in shifting the tenor and shape of debate in the world, but we must not rest on
our laurels. Trickle-down economics DOES NOT WORK! Austerity economics DOES NOT
WORK! Corporations are NOT people. Money does NOT equal speech. It’s
a trap. If we don’t get big money out of politics then everything we
want to do will be hopeless. We need to be smarter with our mobilization
tactics for the change and allocation of power within our society. So far the
security and surveillance state has boxed us in, like the great MLK Jr. said, “Those
who love peace must learn to organize as effectively as those who love war.”
Thursday, 11 August 2016
The trickster is an alchemist.......
The trickster is an
alchemist, a magician, creating realities in the duality of time and illusion.
In mythology, and in the
study of folklore and religion, a trickster is a god, goddess, spirit, man,
woman, or anthropomorphic animal who plays tricks or otherwise disobeys normal
rules and conventional behavior. It is suggested by Hansen (2001) that the term
"Trickster" was probably first used in this context by Daniel G.
Brinton in 1885.
The trickster deity breaks
the rules of the gods or nature, sometimes maliciously (for example, Loki) but
usually with ultimately positive effects. Often, the rule-breaking takes the
form of tricks (eg. Eris) or thievery. Tricksters can be cunning or foolish or
both; they are often very funny even when considered sacred or performing
important cultural tasks. In many cultures, (as may be seen in Greek, Norse or
Slavic folktales, along with Native American/First Nations lore), the trickster
and the culture hero are often combined. To illustrate: Prometheus, in Greek mythology,
stole fire from the gods to give it to humans.
He is more of a culture hero
than a trickster. In many Native American and First Nations mythologies, the
coyote (Southwestern United States) or raven (Pacific Northwest and coastal
British Columbia) stole fire from the gods (stars or sun) and are more
tricksters than culture heroes. This is primarily because of other stories
involving these spirits: Prometheus was a Titan, whereas coyote and raven are
usually seen as jokesters and pranksters.
Frequently the Trickster
figure exhibits gender variability, changing gender roles and engaging in
same-sex practices. Such figures appear in Native American and First Nations
mythologies, where they are said to have a two-spirit nature. Loki, the Norse
trickster, also exhibits gender variability, in one case even becoming
pregnant; interestingly, he shares the ability to change genders with Odin, who
despite being nominally the chief Norse deity also possesses many
characteristics of the Trickster.
The Trickster is an example
of a Jungian Archetype. The Fool survives in modern playing cards as the Joker.
In modern literature the trickster survivors as a character archetype, not
necessarily supernatural or divine, therefore better described as a stock
character.
In later folklore, the
trickster is incarnated as a clever, mischievous man or creature, who tries to
survive the dangers and challenges of the world using trickery and deceit as a
defense. For example many typical fairy tales have the King who wants to find
the best groom for his daughter by ordering several trials. No brave and
valiant prince or knight manages to win them, until a poor and simple peasant
comes. With the help of his wits and cleverness, instead of fighting, he evades
or fools monsters and villains and dangers with unorthodox manners. Therefore
the most unlikely candidate passes the trials receives the reward. More modern
and obvious examples of that type are Bugs Bunny and The Tramp (Charlie
Chaplin).
The trickster is an important
archetype in the history of man. He is a god, yet he is not. He is the
wise-fool. It is he, through his creations that destroy, points out the flaws
in carefully constructed societies of man. He rebels against authority, pokes
fun at the overly serious, creates convoluted schemes, that may or may not
work, plays with the Laws of the Universe and is sometimes his own worst enemy.
He exists to question, to cause us to question not accept things blindly. He
appears when a way of thinking becomes outmoded needs to be torn down built
anew. He is the Destroyer of Worlds at the same time the savior of us all.
The Trickster lives inside
and outside of Time. He is of our world, yet not of our world, so our laws will
not always apply. Other symbols, associated with him include keys, clock,
masks, infinity among other mythological images
Trickster is a creator, a
joker, a truth teller, a story teller, a transformer linked to the spiritual
frequency changes humanity is experiencing at this time.
We seem most accessible to
the synchronistic gifts of the Trickster when we ourselves are at or near
boundaries or are experiencing transition states, periods of major life
transitions seem to be occasioned by an abundance of meaningful coincidence.
Personal growth sees not only to facilitate synchronicity, but in turn to be
facilitated by it. As an archetype, the Trickster, the boundary dweller, finds
expression through human imagination and experience.
The Trickster as an Alchemist
Shamanic aspect that
transforms or evolves
We live in a dual reality,
opposite polarities, yin /yang, male/female, good/ evil, God/Devil or
Trickster. Our reality is created by electromagnetic energy fields, the poles
(North and South), positive and negative energy. This is much like a game. In
order to win the game you must create balance. You can beat the trickster if
you ignore that which he brings as challenges.
Our soul spirals its
consciousness into a physical body to experience different roles and emotions.
The trickster 'stirs the pot' and creates the drama, to that end.
When you abuse someone, that
is the trickster in you, showing itself. When you allow yourself to be abused,
playing the victim, and remain stagnant in your life, the trickster aspect of
you is in control.
The trickster seems to have
supernatural powers which help him perform his tricks. He lives, dies, comes
back, shape shifts, all sorts of magic as our reality is nothing more than an
illusion. It is the mythology of our reality, birth, death, and rebirth from
the ashes, the flame of creation.
There are times the Trickster
brings lessons that we came into this experience. Trickster is almost always
portrayed as male. In the duality he represents the lower emotions, lower
chakras, that which gets us into mischief. This represents the aggressive side
that deals with the lower frequency emotions, fate, jealousy, anger, self
destruction, rage, depression and goes to mental illness.
Trickster is the emotional
body, our Inner Child or wounded soul, who evolves in our lifetimes as it spirals
back to higher light.
The concept of the Trickster
is as much a part of humanity's history as the concept of God. All creational
myths deal with polarity, good god vs. bad god, the duality of our nature and
with each of us. To be emotionally challenged, is to listen to the voice of the
trickster and live in a space of drama and negative emotions. To create balance
is to live in the so-called 'god aspect' of who we are.
Physical reality is a game in
which the Trickster challenges us at every turn. That is his role in the
duality of this bio-genetic experiment in liner tome and emotion.
Trickster is the teacher,
when you attract lessons into one's life. With his lessons, he awakens us to
who we are and allows us to explore the true purpose of our soul's journey in
the holographic experience through which we experience consciously at this
level of awareness.
His energy allows us to break
out of old stereotypes, whether they've been imposed by ourselves, our
families, our culture, or circumstance. This is the energy that opens the world
of limitless possibilities and it behooves us all to work with it before it
destroys us, to touch the Trickster as he touches us.
Trickster is a teacher,
survivor, hero, always traveling, outrageous and cunning, foolish and wise,
mischievous and often doing good despite himself. He is a metaphor for the
evolution of consciousness in the alchemy of time.
Trickster Roles
Eshu
African people have tales
about tricksters (hare, spider, tortoise, etc.), which slaves brought to the
New World.
In Yoruba mythology, Eshu is
an Orisha, and one of the most respected deities of the tradition. He has a
wide range of responsibilities: the protector of travelers, god of roads,
particularly crossroads, the deity with the power over fortune and misfortune,
and the personification of death, a psycho pomp.
Every magical ceremony or
ritual began with an offering to Eshu; failure to do so guarantees failure in
the intent of the ceremony. Within the Orisa'Ifa, Santeria/Lukumi religion
developed by the descendents of enslaved West African, Eshu was identified with
Saint Anthony or Saint Michael, depending on the situation.
He is identified by the
Colours red and black, or black and white and his caminos, or paths (compare:
avatar) are often represented carrying a cane, shepherd's crook, as well as a
pipe.
Eshu is a trickster-god, and
plays frequently tempting choices for the purpose of causing maturation. He is
a difficult teacher, but a good one. As an example, Eshu was walking down the
road one day, wearing a hat that was red on one side and blue on the other.
Sometime after he departed, the villagers who had seen him began arguing about
whether the stranger's hat was blue or red. The villagers on one side of the
road had only been capable of seeing the blue side, and the villagers on the
other side had only been capable of seeing the red half. They nearly fought
over the argument, until Eshu came back and cleared the mystery, teaching the
villagers about how one's perspective can alter one's perception of reality,
and can be easily fooled.
(In many versions of this
tale, the two tribes were not stopped short of violence; they actually
annihilated each other, and Eshu laughed at the result, saying "Bringing
strife is my greatest joy". Eshu is thus a prototype of the atheistic view
of God's nature.)
Amaguq
In Inuit mythology Amaguq is
a trickster and wolf god.
Japanese Culture
Kitsune
In Japanese folklore, the
kitsune are often presented as tricksters, sometimes very malevolent ones. The
trickster kitsune employ their magical powers to play tricks on people; those
portrayed in a favorable light tend to choose as targets overly-proud samurai,
greedy merchants, and boastful commoners, while the more cruel kitsune tend to
abuse poor tradesmen and farmers or Buddhist monks.
Susanoo
Nezha
Nezha is a deity, the enfant
terrible Trickster of Chinese mythology. Nezha is often depicted flying in the
sky with a wheel of fire under each foot, a golden hoop, The Cosmic Ring around
his shoulder, and a spear in his hands. Nezha is usually depicted as youth and
rarely as an adult. As the third son of a military commander called Li Jing, a
military leader in Chentangguan Fortress, his birth was peculiar. When his
mother got pregnant, she waited for three years to deliver the boy, but
unfortunately a meat ball was born. His father got so angry that he split it
with sword, thus finally Nezha jumped out with full figure and grew rapidly,
even though his mind and temperament were that of a child. He flayed and
disemboweled himself after committing several crimes in the eyes of the
Heavenly Court but was brought back to life by a Taoist priest who used lotus
blossoms to reconstruct a body for his soul to inhabit. Some traced his origins
to the Vedic god Nalakuvara, and the legend goes that he was born in the Shang
dynasty, and he is also identified with the Japanese god Nataku.
Krishna
The World Magician, tricking
all men and gods by his playful ruses as an incarnation of Vishnu, Lord of the
World.
Loki Norse Mythology
Greek Mythology
Eris, Prometheus, Hephaestos,
Hermes -- Hermes Trismegistus -- Odysseus (example of a human trickster, who
manages to evade dangers thanks to his wits. The Cyclops Polyphemus is an
example of this)
Reynard The Fox
Reynard the Fox, also known
as Renard, Renart, Reinard, Reinecke, Reinhardus, and by many other spelling
variations, is a trickster figure whose tale is told in a number of
anthropomorphic fables from medieval Europe.
He seems to have originated
in French folklore. An extensive treatment of the character is the Old French
Le Roman de Renart from around 1175, which sets the typical setting. Reynard
has been summoned to the court of king Noble, or Leo, the Lion, to answer
charges brought against him by Isengrim the Wolf. Other anthropomorphic
animals, including Bruin the Bear, Baldwin the Ass, Tibert (Tybalt) the Cat,
and Hirsent the She-wolf, appear to give testimony against him, which Reynard
always proves false by one stratagem or another. The stories typically involve
satire whose usual butts are the aristocracy and the clergy, making Reynard a
peasant-hero character. Reynart's principal castle, Maleperduys, is available
to him whenever he needs to hide away from his enemies. Some of the tales
feature Reynard's funeral, where his enemies gather to deliver maudlin elegies
full of insincere piety, and which features Reynard's posthumous revenge.
Till Eulenspiegel
Character who originated in
Middle Low German oral tradition. In the folk story, he is presented as a trickster
who played practical jokes on his contemporaries. Although craftsmen are
featured as the main victims of his pranks, neither the nobility nor the pope
are exempt from being fooled by him.
Br-er Rabbit, Tar Baby
The tar baby was a trap made
of tar used to capture Br'er Rabbit in a story which is part of American
plantation folklore. Br'er Fox played on Br'er Rabbit's vanity and gullibility
to goad Br'er Rabbit into attacking the fake and becoming stuck. A similar tale
from African folklore has the trickster god Anansi in the role of Br'er Rabbit.
The story was originally published in Harper's Weekly by Robert Roosevelt of
Sayville, New York. Years later Joel Chandler Harris wrote of the tar baby in
his Uncle Remus stories.
Coyote
The trickster is teacher,
survivor and fool, coyote has inhabited this land we call America much longer
than the later arriving humans from Asia, who have only been here about 10,000
years or so. The European refugees who started showing up around 500 years ago
and who now act as if they own the place, do not pay as much attention to
Coyote as do their indigenous predecessors. The small prairie wolf known as
coyote mostly attracts their interest in a long standing, unsuccessful effort
at extermination; but this creature with a perpetual bounty on its hide
resembling a medium-size dog with a narrow face, tawny fur and a bushy tail, is
only one aspect of what native American peoples have called Coyote, Coyote Man
and Old Man Coyote.
In some Native American
traditions, Coyote impersonates the Creator, making humans out of mud and
bringing into being the buffalo, elk, deer, antelope and bear. In these myths,
Coyote-Creator is never mentioned as an animal, though he can and does meet his
animal counterpart, coyote; and they walk and talk together, addressing the
other as "elder brother" and "younger brother." In these
traditions the spiritual and corporeal are brothers who always walk and talk
together.
While coyotes (the animal)
are certainly responsible for destroying some domestic livestock, they are
important to the larger environment as scavengers and destroyers of rodents.
They are omnivorous feeders; they prey on small animals, eat plant matter,
carrion and garbage, and they sometimes though not regularly team up to hunt
larger animals. They are an invaluable part of a healthy ecology and
environment, which sustains all life, including that of domestic livestock.
That the livestock industry
has waged a brutal, unrelenting and environmentally irresponsible slaughter
(most of it at taxpayer, not industry, expense) of coyote for more than 100
years is as shameful and scandalous as it is unsuccessful, unnecessary and
expensive. That coyote has persisted, prospered and expanded, both in numbers
and range, since the livestock industry put a price on his head is an
indication of why Old Man Coyote continues to live in the mythology and dreams
of native America and in the literature and imagination of its more recent
arrivals. Coyote Man is the primordial trickster/teacher of American lore.
Carl Jung, The Trickster
Archetype, Coyote
A primitive cosmic being of
divine-animal nature, on the one hand superior to man because of his superhuman
qualities, and on the other hand inferior to him because of his unreason and
unconsciousness. The more civilized we become, the more we will blame a
"shadow" for our misfortunes. Like the trickster of old, the shadow
represents a quality that isn't accepted into the awareness. It can 'pester' us
unmercifully but always has a gift for us, a missing quality, an attitude
needed to cope, or self-realization.
Kokopelli
Kokopelli is a fertility
deity, usually depicted as a humpbacked flute player (often with a huge phallus
and antenna-like protrusions on his head), who is worshipped by many Native
American tribes in the Southwestern United States. Like most fertility deities,
Kokopelli presides over both childbirth and agriculture. He is also a trickster
god. Because of his influence over human sexuality, Kokopelli is often depicted
with an inhumanly large phallus. Among the Ho-Chunk, this penis is detachable,
and he sometimes leaves it in a river in order to have sex with girls who bathe
there. Among the Hopi, Kokopelli carries unborn children on his back and
distributes them to women (for this reason, young girls are often deathly
afraid of him). He often takes part in rituals relating to marriage, and
Kokopelli himself is sometimes depicted with a consort, a woman called
Kokopelli-mana by the Hohokam and Hopi.
Manabozho or Hare of the
Algonkian peoples
His father was Earthmaker,
who sent Hare to be born of a virgin as a human being in order to destroy evils
threatening mankind.
Cin-an-ev
The Ute are a tribe of Native
Americans from the western United States. Siats is a cannibalistic clown monster.
Cin-an-ev is a wolf trickster and culture hero. The Ute especially venerated a
bear spirit, who occasionally went on killing sprees. Sunuwavi, a Ute hero,
once rescued his people from this by finding the qumu, the bear's fire medicine
(spiritual power), and covering it with water, thus ending the spirit's power.
Mannegishi
The Mannegishi (singular the
same) are a race of trickster people in Cree folklore. They are described as
semi-humanoid, being sexdactylous humans with very thin and lanky arms and legs
and big heads minus a nose. According to one Cree schema of the mythology,
there are two humanoid races, one being the familiar human species and the
other being the "little people", i.e. Mannegishi. These people are
said to live between rocks in the rapids. One of their biggest delights -- a
completely non-heroic form of trickster behavior -- is to crawl out of the
rocks and capsize the canoes of people canoeing through the rapids, spinning
them to their death. The Mannegishi is also known as the gahonga. The
Mannegishi has gained interest in recent years due to its possible
cryptozoological connections. It is believed by some that the Dover Demon is
what the Cree saw when they told stories of the Mannegishi.
Raven
Raven is famous among the
Native Americans of the Pacific Northwest. Raven assumed the divine trickster
role, similar to Coyote in other parts of the country. The divine trickster
could play the fool and the joker, but the intent of doing so was to teach.
Raven is also credited with sheltering the first humans, and with placing the
sun, moon, and stars in the proper places in the sky. He was an expert in
magic, and brought revelations from the spirit world to those who needed them.
Tonenili
Navajo trickster rain god
whose name means 'water sprinkler'.
Bamapana
In Australian Aboriginal
mythology (specifically: Murngin), Bamapana is a trickster hero who causes
discord. He is obscene and profane and once committed incest, thus breaking a
strict taboo.
Tezcatlipoca
In Nahuatl mythology,
Tezcatlipoca ("smoking mirror") was the god of the night, the north
and temptation. He owned a mirror (Itlachiayaque, "Place From Which He
Watches") that gave off smoke, killing his enemies. He was the antithesis
and rival, and eventually, the twin of Quetzalcoatl. He was a god of beauty and
war.
Attributes of Tezcatlipoca
and Quetzalcoatl originally came from older traditions than the Aztecs: the
Olmecs and the Toltecs. The Aztecs assimilated them in their religion, and the
two deities were equated and considered twin gods. They were both equal and
opposed.
Thus Tezcatlipoca was called
"Black Tezcatlipoca", and Quetzalcoatl "White
Tezcatlipoca".
In one of the Aztec accounts
of the creation of the world, Quetzalcoatl and Tezcatlipoca joined forces to create
the world. There was only the sea, and the monster of earth Cipactli. To
attract her, Tezcatlipoca used his foot as bait, and Cipactli ate it. The two
gods then captured her, and distorted her to make the land from her body. After
that, they created the people, and people had to offer sacrifices to comfort
Cipactli of her sufferings. Because of this, Tezcatlipoca is depicted with a
missing foot, and the bone of his leg exposed. There are several nahuas
accounts of how gods made self sacrifices to help humanity.
Tezcatlipoca kidnapped
Xochiquetzal, the goddess of flowers, because he felt that he deserved her more
than her husband, Tlaloc. He was also said to be married to Xilonen.As
Mixcoatl, Tezcatlipoca invented fire by rotating the heavens on its axis as a
drill. Omacatl and Titlacahuan, Tezcatlanextia, were also aspects of
Tezcatlipoca.
Saci
The Saci (pr. sah-SEE) is the
most popular and bizarre character of Brazilian folklore. He is a one-legged
dwarf, with holes through the palms of his hands, who smokes a pipe and wears a
magical red cap which enables him to disappear and reappear wherever he wishes.
Considered an irritating prankster in some parts of the country, and a
dangerous and malicious creature in others, he will nevertheless grant wishes
to anyone who manages to steal his magic cap. There are actually three types of
Saci: the best-known Saci Perere is black as coal, the Saci Trique is mulatto
and more benign, and the Saci Sacura has red eyes.
An incorrigible prankster,
the Saci will not cause major harm, but there is no little harm that he won't
do. He will hide children's toys, set farm animals loose, torment dogs, and
prevent chicken eggs from hatching. He may suck the blood of horses, like a
vampire bat, and tie knots in their manes.
In the kitchen, the Saci may
spill the salt, sour the milk, burn the bean stew, or drop flies into the soup.
If a popcorn kernel fails to pop, it is because the Saci put a spell on it.
Given half a chance, he will dull the seamstressÕs needles, hide her thimbles,
and tangle her sewing threads. If he sees a nail lying on the ground, he will
turn it with the point up. In short, anything that goes wrong, in the house, or
outside it, may be confidently blamed on the Saci.
Besides disappearing or
becoming invisible (often with only his red cap and the red glow of his pipe
still showing), the Saci can transform itself into a Matiapere, an elusive bird
whose melancholic song seems to come from nowhere. A Saci will not cross water
streams, lest it will lose all his powers, a fact that will be undoubtedly
useful to people who find themselves being pursued by one. If that happens, the
victim should drop ropes full of knots; the Saci will then be compelled to stop
and undo the knots, thus allowing his victim to escape. One can also try to
appease him by leaving behind some cachaa, or some tobacco for his pipe.
He is fond of juggling live
coals or other small objects and letting them fall through the holes on his
palms. An exceedingly nimble fellow, the lack of his right leg does not prevent
him from bareback-riding a horse, and sitting cross-legged while he puffs on
his pipe. Every dust devil, says the legend, is caused by the spin-dance of an
invisible Saci. One can capture him by throwing into the dust devil a rosary
made of rosary bead plant seeds, or by pouncing on it with a sieve, reinforced
by two crossed bamboo strips. With proper care, the captured Saci can be
coached to enter a dark glass bottle, where he can be imprisoned by a stopper
with a cross marked on it.
Kappa, Maui God of One
Thousand Tricks
An ugly, excitable, but
quick-witted half-divine, half-mortal trickster who was covered in tattoos. If
he didn't like the ways things were, he changed them. And there were many
things Maui didn't like. For example, the sun.
Every day, Maui watched human
beings scramble to work, or plant, or cook, or make bark cloth in the few
precious hours between sunrise and sunset. There was never enough time, the sun
moved too fast, the people suffered. They had no choice but to eat their food
raw.
Maui grabbed his rope and his
grandmother's magic jawbone. With a quick flick of the rope, he lassoed the sun
and beat the sun-god with the jawbone, until the golden one agreed to move more
slowly across the sky. Then Maui looked closely at the sky itself. It hung way
too low. With a mighty heave, Maui shoved the firmament up higher.
The Maui went fishing. His
brother wouldn't share their bait, so Maui punched his own nose and used his
blood to fish. He hauled in catches so big they became the Polynesian islands.
In mythology the pranks of
the trickster seemed almost a compulsion, something they could not control. The
trickster was usually blessed with a curiosity that led them into trouble, but
also had a cunning wit to get them out of trouble. He played the Game! Humans
would forgive the trickster, knowing that when the gods were plagued by the
trickster's wit and arrogance, with the side effects sometimes beneficial to
humans. We recognized that at the heart of the trickster was a savior. So even
if Coyote caused a great flood because of a theft, he did lead the human race
to a better world.
In oral traditions worldwide,
a story of deceit, magic, and violence perpetrated by a mythical animal-human
trickster. The trickster-hero is both creator god and innocent fool, evil
destroyer and childlike prankster.
Trickster is at the same
time, creator and destroyer, giver and negator, he who dupes others and who is
always duped himself. He possesses no values, moral or social, is at the mercy
of his passions and appetites, yet through his actions all values come into
being. Many of the Trickster's traits were perpetuated in the medieval jester,
and have survived in the Punch-and-Judy plays and in the clown.
Few mythological figures have
such a remote origin in time and broad distribution among cultures as the one
called Trickster. This character has long puzzled its commentators, largely
because Trickster defies any purely rational or intellectual analysis. In fact,
anyone who has studied any particular trickster story can testify to its
disturbing undertones of perplexity and provocation.
Trickster contains a
transcendent nature whose epic qualities are truly awesome. We can think, for
example, of when Maui, the Polynesian Trickster, snares nothing less than the
sun. Yet with all his enormous power he is enormously stupid, the fool of the
ages, the epitome or personification of human absurdity.
In world mythologies
Trickster's guises are legion; so much so that Joseph Campbell, has called him
The Hero With A Thousand Faces.
This outlandish, yet
remarkable being in human form, learns, grows in understanding, changes, and at
a certain point in his adventuresome blunders, is transformed. Until that
moment, however, Trickster keeps changing shape and experimenting with a
thousand identities, including shifts in sex, in a seemingly never-ending
search for himself.
During all this he inflicts
great damage on those around him and also suffers innumerable blows, defeats,
indignities, and dangers resulting from his thoughtless, reckless forays. On
entering upon existence he is first seen as a blurred, chaotic, hardly unified
being, having no self-knowledge or life-knowledge, despite his divine
parenthood. It is only later on in his travels that Trickster emerges as a
culture hero, demigod, and savior of peoples. But this occurs only after his
transformation or self-integration takes place, and brings to the fore the
great and epic qualities initially given him by his divine progenitor.
The unity of Trickster with
Hero-Benefactor is clear in a great number of the mythoi. The hero must trick
the gods of their wealth, steal it, and in some manner make it available to
humankind. This heavenly treasure usually is "fire" or is related to
it. Raven steals the gods' fire sticks. Maui goes against Mahu-ika, the
guardian of fire, to get it and bring it back to the people. In Greek myth it
is Prometheus who does this. The many references to the sun-snaring feat of
Trickster-turned-Hero extend illustration of this development (Katharine
Luomala, Oceanic, American Indian, and African Myths of Snaring the Sun,
Bernice P Bishop Museum Bulletin 168, Honolulu, 1940; reprinted by Kraus
Reprint Company, N.Y, 1971). The hero who deceives, slays, or by his "wiles"
appeases the gods, is honored as a savior of the world.
Trickster's hero qualities
were present from the very beginning. But they lay dormant, in seed, until he
decided to exercise them, which he did only after a long and painful process of
trial and error, growth and metamorphosis. For in all of his manifestations
Trickster remains a primordial being of the same order as the gods, despite his
prolonged sojourn in the human condition.
No matter how often scholars
have analyzed this myth in the attempt to reduce it to any strictly rational
value, it endures in all of its polyfaceted and multileveled grandeur. To
restrict understanding of it merely to one or two of its features would be to
rob us of its unusually important meaning. For serious reflection upon the myth
in all of its world variety brings a conviction that it can refer only to the
evolution of human consciousness and the full range of phases and multiple
colorations which this implies. Yes, the evolution of our consciousness, but
from a gigantic perspective and nothing less, one which carries us back to the
fabulous illo tempore: into the night of time millions of years ago to the
magic moment of first creation, that, dawn time "when first the world was
born" and we "walked with the gods."
From the initial dimness of a
consciousness newly-born, lacking any real integration of its components, and
having forgotten his divine mission, we follow Trickster as his awareness
steadily comes forth in ever greater measure. We watch as the self-knowledge of
this inchoate entity develops, bringing with it strength, remembrance, and a
firmer sense of identity, all this until, at a certain point, by capturing the
fire of inner illumination from the gods, he gains a full measure of
self-consciousness or self-recollection, and can act to benefit mankind. To use
Jungian terms, the Unconscious within himself has been transmuted into the
Conscious, bringing lucidity of spiritual vision of self and the universe.
Planet Saturn and the
Trickster
Saturn, the grim reaper,
rules responsibilities, restrictions, limitations, and the lessons you must
learn in life. He does not deny or diminish imagination, inspiration,
spirituality, or good fortune, but he does demand that these things be given
structure and meaning. The karmic lessons we have come to experience and
overcome in this lifetime are expressed by Saturn. Saturn is a great teacher if
you allow it to be so. If you resist, then you feel like you have been dealing
with the Trickster. It takes spiritual maturity to move beyond the challenges
of the Trickster and to embrace Saturn the Teacher.
Trickster Gods
Trickster Goddesses
Wednesday, 4 May 2016
Ela the spirit of manifestiation......
The Ifa Prayer Cycle
In traditional Ifa the
purpose of Ifa initiation is to give the initiate an experience of going into
possession with Ela. Possession is invoked through the use of Oriki
Ela. After initiation the initiate is expected to repeat Oriki Ela every
four days for the rest of their life as a way of enhancing our connection to
Spirit. From a traditional perspective possession is considered
connection with iponri meaning the higher self. In simple terms
possession does not occur from the outside in, it occurs from inside out.
We live in a holographic universe, meaning every fragment of Creation contains
the blueprint for all of Creation. This blueprint is inside of us and it
is the connection with iponri that brings the ability to glimpse portions of
this blueprint.
The first step in connecting
with the higher self is placing the head and heart in alignment. The
purpose of divination is to discover personal rituals that will assist those
who come for divination in the process of placing the head and heart in
alignment. A conflict between the head and the heart means our conscious
thoughts are in opposition to our feelings. According to Ifa this
conflict occurs when are conscious thoughts are in opposition to our essential
nature. Ifa teaches that everyone is born a good and blessed person (omo
rere) who comes to earth to develop good character (iwa-pele). According
to Ifa placing the head and heart in alignment occurs when a person embraces
good character (iwa-pele) and as a consequence of this decision places
themselves in alignment with their destiny. Ifa is rooted in the idea
that the human soul (emi) reincarnates, and chooses a destiny between
reincarnations. Ifa teaches that every emi between incarnations on
earth chooses a destiny to embrace good character. There is a Yoruba
proverb that says if you are not sure what your destiny is in the moment choose
good character and your destiny will manifest. The consequence of
embracing good character is placing the head and heart in alignment and the
consequence of placing the head and heart in alignment is receiving a blessing
of children, abundance and long life. Virtually every verse of Ifa
scripture promises one or all of these blessings called ire omo, ire owo, and
ire agbo ato.
The process of putting an
initiate into possession is not difficult. The person leading the
initiation goes into possession first then stands close enough to the initiate
for the initiate to feel the spiritual energy (ase) coming from the person
leading the initiation. This is the secret of every pre-Christian
initiation in every culture in the world. The more people who assist the
process by going into possession during the initiation the easier it is for the
initiate to access their iponri. Buddhist calls this process darma, meaning the
enlightenment that comes as a result of sitting with an elder. When I was
initiated there were thirty awo (initiates) present and they all went into
possession at the same time. The effect on me of this collective
shift in consciousness was I felt like I was hit by train. I was
literally knocked off my feet and it took me a week to fully recover control of
my ability to walk and talk.
Think of the human spirit
having a spherical ball of energy surround the body from head to foot.
Using the model of Odu the three sided pyramid facing up has its base at the
knees and the three sided pyramid facing down has its base at the chest.
During normal consciousness the upper pyramid spins to the left and the lower
pyramid spins to the right. The tension caused by opposite directional
spin keeps our consciousness grounded in the dimension Ifa calls aye meaning
life on earth. The purpose of Ifa divination is to place each individual
in a state of Eji Ogbe which translates to mean the first gift from
spirit. When a person is in a state of Eji Ogbe the verses of Ifa
scripture say the person is in perfect alignment with their destiny.
In Eji Ogbe all the portals
from the two three sided pyramids are open. This creates an infusion of ase
(spiritual energy) from Orun (invisible realm) to the ori (consciousness) of
the person experiencing alignment with destiny. When all eight portals
are open both pyramids spin to the left. This in turn causes all the
atoms of the body to shift from a bipolar spin to a mono atomic spin. In
the state of mono atomic spin the penal gland secrets melatonin. This
hormone is known to enhance perception, increase energy, extend stamina, and
increase the health benefit of our immune system. That is why the penal
gland is called the “Seat of the Soul” and “the
Third Eye.” In the symbolism of Egypt the drawings of the
mystic eye includes exact proportions which are measurements for the way
melatonin is released in the blood system and effects elevation. In Ifa
the area around the penal gland is called the iwaju meaning I look at my
character. The reference to looking at my character is affirmation of the
Ifa idea that alignment with Eji Ogbe is a manifestation of perfect alignment
with destiny.
The human body has receptors
along the spine commonly referred to as chakras. In traditional Ifa each
of these power centers is associated with a specific Odu. These receptors
absorb the ase that surrounds the human body when the body is in a state of Eji
Ogbe. The absorption process is restricted when there is tension in the
body. Tension is the body is usually caused by unexpressed emotion.
This is the reason why dance is an essential component of initiation; dance can
function as a way of releasing restrictive emotions.
The entire corpus of Ifa
scripture is to prescribe rituals and cleansings designed to place the head and
heart in alignment and discharge unexpressed emotion as a foundation for
guiding the person towards Eji Ogbe. Nicolas de Vere, who I consider to
be an authority on altered states of consciousness, describes normal
consciousness in his book The Dragon Legacy published by The Book Tree.
Within the mind are a host of
barriers, many of which are caused by the brain’s
chemical and physical inability to communicate efficiently with itself.
This cause a sense of confusion and isolation which encourages the spectrum of
various forms to appear, from attachment to comforting delusions.
Sovereignty over selves is attained by accepting the selves for what they
are. In so doing the individual, dispensing with the energy-consuming
need to erect and maintain defensive mental routines, allows the truth to
prevail instead, without regret and without judgement. In this manner the
mind becomes detached and observant.
page 243
De Vere is describing the
brain function that creates what Ifa calls elenini. He goes on to
describe the consequence of breaking down the barriers created by elenini as a
result of the infusion of melatonin that occurs during altered states of
consciousness.
The energy formally used to
sustain defensive mechanism and constellations of delusory complexes is freed
from its shackles and can be used to enhance alertness and perception. In
focused attention, there is discovered above all else –
harmony and harmony is transcendence.
page 243
What de Vere is describing
here is the effect of entering the altered state of consciousness Ifa calls
possession by Ela. The consequence of possession by Ela is not only an
increase in melatonin sent to the brain there is also an increase the synapse
that are connected within the brain. As a result of this increase the
person in the altered state of consciousness is able to glimpse the blueprint
of Creation, which in Ifa is coded into the symbolism of Odu. This
process is a key aspect of Ifa initiation. During Tefa (Ifa initiation)
the elders go into possession with Ela and invoke the meji Odu, meaning the Odu
in which the right and left Quadra gram are identical. This is followed
by the invocation of the Odu Ose‘tura. The
function of Ose’tura is to cause the meji Odu to copulate in the head
of the initiate. This is a symbolic expression of the idea that the elder
is opening all the portals that allow ase to enter the human body and it is the
basis for increasing the synapse connections that increase brain
function. According to Ifa metaphysics the entire corpus of
Odu re-emerge at every stage of evolution including the birth of human
consciousness. That is why the initiation process at the point where Ose’tura
is invoked is called Elerin ipin meaning witness to Creation.
The science of this process
was clearly described by Isegun in a post on the awostudycenter discussion
board.
The Homo Sapien brain is at
its base, Reptilian. Study the anatomy of the brain and the anatomy of reptiles
and you’ll see the direct, indisputable relationship. The
reptilian brain is very powerful and is the direct connection to the spinal
column. For land-based vertebrates the reptilian brain is the starting point.
The Mammalian brain is a
direct growth from the reptilian. The difference being, the mammalian brain is
larger and has more component parts, i.e. more ways to gather and express
information, vibrations or whatever you wish to call it.
The brains of primates are
slightly larger and more complex than other mammals, although, I don’t
think primates are any more intelligent than dogs or dolphins and whales. The
difference between primates and the other, however, is due to climate geography
and other factors, both internal and external. Primates and later hominids
began the long series of growths and mutations that eventually laid the
foundation for the homo sapien to be born.
But the mammalian and
reptilian brains never went anywhere. In fact, they remain the basis for our
basic brain and bodily functioning. And in some instances, they provide
the doorway to more all-encompassing states.
The much praised but little
understood “Third Eye”, the Pineal Gland,
was once a literal Third Eye on the back of several species of Lizards.
Gradually, this Eye moved inside and became another, albeit very distinct
organ.
In Homo sapiens, the Third
Eye is able to open the door to more complete and circumspect realms of
consciousness. But only because of the much larger amount of information
the human brain is able to collect, sort and synthesize. One instance of this
is “possession”.
Chimps, however, cannot do
this. But the Pineal gland serves the same basic functions in lab rats as it
does in humans. It secretes four basic and critical neurotransmitters –
Serotonin, Melatonin, Norepinephrine/Noradrenaline, and Histamine. Through the
secretion of these four, and possibly more, neurotransmitters, the Pineal Gland
regulates many bodily functions, in concert with the Hypothalamus and Pituitary
Glands, both of which sit tucked under the Reptilian Brain. The frontal lobes
of the human brain, and the left and right hemispheres, gather the information,
but it is the connection of the two that brings everything together.
Guess what sits directly in
the middle of the left and right hemispheres of the brain?
Yes, the Pineal Gland. It
sits directly on the corpus callosum, the bundle of nerves and tissue that
connects the left and right hemispheres, but very close to the spinal column,
the eyes, and the other endocrine glands.
The Pineal Gland is a very,
very sensitive organ. It is a theory of mine that there exists a direct
relationship between Cancer and Pineal Calcification, because the Pineal works
directly with the immune system through the secretion of histamine and
serotonin. The modern lifestyle of artificial light, overcooked food full of
poisons, and other factors, are very harmful to the Pineal.
Serotonin itself does so many
different things in the body that it almost has a field of study devoted to it
alone.
Thus, a human cannot be a
human without being, as you say, “reptilian”.
The so-called “higher states” would not be
possible WITHOUT the reptilian in us.
. . . Why do people behave in
a low-life, base, disgusting, and small-minded, short-sighted fashion? Because
with the homo sapien, for the first time, a form of life on earth is free of
the constraints and natural checks and balances of their environment. FIRE, as
the Greeks understood, was the beginning of the Homo Sapien. Nothing else
happens without it, internally or externally. Fire, and the ability to cook
food, may have even provided the nutrients for the human brain to grow. The
primate vegetarian diet provides nowhere near the amount of protein necessary
to form a human body/brain. Try to live on bananas alone for a week and see how
you do, especially if you’re at all active, like our ancient ancestors were.
Thus, the human, in giving up
the strengths of speed, acute sight, scent and hearing, teeth and claws,
acquired the ability to grow in ways utterly and completely impossibly for any
other form of vertebrate life. But this is a double-edged sword, as Esu so
clearly teaches us. With the door open, anything can come through.
Without the natural checks and balances of their environment, any type of human
can emerge, low and base, lofty and noble, all together, often at the same
time. And with such a huge range of possibilities, it is less likely for the
noble and strong to emerge, simply because of the chances, the averages.
This possibility is why the
Ancients developed systems like Ifa, the I-Ching and others. This is why in
healthy societies, the accumulated wisdom and experience of the Ancients,
Ancestors and esteemed Elders set the standard for the people and country.
Ase
Isegun
The collective invocation of
Ela in traditional Yoruba culture is an effort to keep communal focus on the
transcendent aspect of human development. In my experience in Ode Remo
when the awo go into collective possession with Ela there is a hallo effect
around their head as a consequence of the infusion of ase that comes as a
result of being in alignment with Eji Ogbe. This light not only has a
transformative effect on the mental, physical and spiritual health of the awo,
this light can by projected onto others affording them the same benefit.
There is in the Diaspora a
popular belief that Ifa initiates do not go into possession. Ifa is based
on the teachers of the prophet Orunmila. From the perspective of
traditional Yoruba culture, Orunmila is an ancestor (egun). The Spirit
who guided Orunmila is called Ela. Those men and women who are mediums of
Ela are considered sons and daughters of Orunmila. An examination of the
Oriki used to invoke Ela clearly requests possession as part of the invocation process.
ORÍKÌ ELA
(Invocation for possession by
the Spirit of Destiny)
Ela omo osin.
Ela Omo Oyigiyigi ota omi.
Spirit of Light, child of the
Ruler. Spirit of Light, child of the offspring of the Stone in the Water.
Commentary: Ifa teaches
that everything is a manifestation of light and light carries primal
consciousness. The stone in the water is the center point of Creation
which exploded to create hydrogen atoms. The cloud of hydrogen atoms at
the first moment of Creation is symbolically referred to as omi Orun or the
heavenly waters.
Awa di oyigiyigi.
A ki o ku wa.
We ourselves become
manifestation. The stone that birthed the Spirit of Light will never die.
Commentary: this is a
reference to the eternal aspect of human consciousness that is accessed through
prayer and the development of good character.
Ela ro a ki o ku mo,
okiribiti.
Ela ro (Sokale) Orunko Ifá.
The Spirit of Light has
descended to Earth, we die no more. This is the name we give to Destiny.
Commentary: in
Liturgical Yoruba the word ro is used to invoke possession or to place
consciousness in an altered state.
Entiti ngba ni l’a.
Nwon se ebo Ela fun mi.
He is the one who saved us.
We have made offerings to the Spirit of Light
Commentary: Salvation
in traditional Ifa comes as a result of accessing our full potential.
Accessing our full potential comes as a result of developing good character
which in turn supports access to altered states of consciousness.
Ko t’ina,
ko to ro.
He is of no substance. He is
too small to be thought of.
Commentary: The
transcendent component of human consciousness is immortal and invisible.
Beni on (Ela) ni gba ni la n’Ife,
Oba – a – mola.
Yet He delivered the
Immortals from all trouble, the Chief for whom to know is to be saved.
Commentary: This is
saying that the transcendent element of human consciousness also exists in the
consciousness of Spirit and that salvation is a consequence of accessing the
transcendent. In other words all consciousness is linked to a higher consciousness
called Iponri and within the Grace of Iponri all consciousness becomes One.
Ela, Omo Osin mo wari o!
Ela meji, mo wari o.
The Spirit of Light, Son of
the Ruler, I praise you. The Spirit of Light, the Spirit of Light, I
praise you.
Commentary: The reference
to Ela meji means the spirit of Light is Immortal. In the Yoruba language
when you repeat a word you are suggesting the eternal essence of that
word. Ela meji or the Spirit of Light Twice would be spoken Ela Ela
meaning Ela exists forever.
Ela mo yin boru.
Ela mo yin boye.
Ela mo yin bosise.
Spirit of Light I beg you to
lift my burden. Spirit of light I beg you to lift my burden from
earth. Spirit of Light I ask you to present my burden to the Immortals.
Commentary: This is a
traditional greeting to the Spirit Light when it becomes manifest through
possession by the mediums present when the invocation is spoken.
Ela poke.
Eni esi so wa soro odun.
Odun ko wo wa sodun.
The Spirit of light has
appeared. The friend has returned for this year’s
festival. The celebration returns.
Commentary: Once a year
the Spirit of Ela is invoked and appears as a beam of light emerging from the
floor of Igbodu or the sacred grove. This mystery is the fundamental
ritual process that was the basis for building the great stone temples that
cover the earth.
Iroko oko.
Iroko oko.
Iroko oko.
I come Iroko oko. I come
Iroko oko. I come Iroko oko.
Commentary: The Iroko
tree is used in traditional Yoruba communities as an ancestors shrine.
Oko is the power of the shrine to influence future generations.
Odun oni si ko.
Ela poke.
Ela ro.
Ela ro.
Ela ro, ko wa gbu’re.
The celebration has
returned. The Spirit of Light has appeared. Holy Spirit descend.
Holy Spirit descend. Holy Spirit descend, prayers to accept.
Commentary: This phrase
announces the presence of Ela through the mediums.
Ela takun wa o.
Ela ro o.
Eti ire re.
Ela takun ko wa gbu’re.
Holy Spirit with string
descends. Holy Spirit descends. Be the ears of our prayers. Holy
Spirit with string descends to accept our prayers.
Commentary: String is
the Ifa symbol for the idea that all things are inter-connected.
Enu ire re.
Ela takun ko gbure.
Oju ire re.
Hear the lips of our prayers.
Holy Spirit with string descends to accept our prayers. Hear the eyes of our
prayers.
Commentary: Once
possession occurs the medium uses the spiritual energy of the altered state of
consciousness to pray for the good fortune of the community.
Ela takun ko wa gbu’re.
Ela ma dawo aje waro.
Ela ma d’ese
aje waro.
Holy Spirit with string
descend to accept our prayers. Holy Spirit with lips of blessing embrace
us. Mighty Spirit with lips of blessing embrace us.
Commentary: After the
medium prays for the community Spirit answers those prayers by responding to
them through the medium.
Atikan Sikun ki oni ikere yo
ikere.
From door to door remove the
hinges.
Commentary: Removing
the hinges from the door is a symbolic reference to the idea of removing those
artificial boundaries that separates humans from one another.
Ipenpe’ju
ni si’lekun fun ekun agada ni si’ekun
fun eje.
He who removes the hinges
opens the eyelids for tears.
Commentary: Removing
boundaries enhances empathy and this in turn allows us to share the pain of
others as the foundation for healing.
Ogunda’sa,
iwo ni o nsilekun fun Ejerindilogun Irunmole.
The Spirit of Iron, the
Spirit of Wind, the Spirit who opens the door for the Immortals.
Commentary: Ogunda’sa
is a verse of Ifa scripture that invokes opening the portals between the
Invisible Realm and earth.
Ela panumo panumo.
Ela panuba panuba.
Spirit of Light
resounding. Spirit of Light rebounding.
Commentary: This is a
reference to the idea that the Spirit of Light is accessible in every moment.
Ayan ile ni awo egbe ile,
ekolo rogodo ni awo ominile.
Near the crack in the wall
where the elders meet, Peace ascended to Heaven and did not return.
Commentary: A crack in
the wall refers to a place where a person can ease drop on matters that do not
concern them. This suggests that spying on others is a source of
disruption in the community. It also suggests that everyone has a place
and function with the community and maintaining our person responsibility is
more important than arrogantly trying to take more responsibility they we are
prepared for.
Eriwo lo sorun ko do mo.
O ni ki a ke si Odi awo Odi.
Upon blockade the Priest of
Blockade is called to Earth. He asked us to call upon the Priest of Peace.
Commentaries: Every day
life involves the need to separate the ori from the ipoinri. The invocation
is asking us to make this separation in a spirit of peace.
O ni ki a ke si Ero awo Ero.
O ni ki a ke si Egún osusu
abaya babamba.
Upon the shrub thorns he
asked us to call. Upon the blockade we call the Priest of the Blockade.
Commentary: shrub thorns
are used as protection in certain shrines, so again the invocation is asking us
to set up boundaries in a spirit of peace.
A ke si Ero awo Ero, ke
si Egún o susu abaya babamba a ni eriwo lo si Orun ko de mo, won ni ki Ela
roibale.
Upon the thick shrubbery
thorns we call, to the Realm of the Immortals we calmly ascend. Holy
Spirit descend.
Commentary : We use
protection to guide us to a place of unity. This is an adminotion against
using ritual to harm others.
Ela ni on ko ri ibi ti on yio
ro si o ni iwaju on egun.
The Peace of the Spirit of
Light said; “I have nowhere to descend.”
Commentary: This is a
reference to the idea that in order to be an effective medium of Light we need
to surrender or sacrifice our personal ego to make room for effective
possession.
Eyin on osusu agbedem ‘nji
on egun osusu, awo fa ma je ki’iwaju Ela gun mori on
tolu.
I find the front filled with
thorns, I find the rear and the middle filled with thorns.
Commentary: The
reference to front and rear is a reference to resistance in the past and in the
future.
Òrúnmìlà ma jeki eyin Ela gun
mosi Olokarembe Òrúnmìlà ma jeki agbedemeje la gun Osusu.
The humans appealed to the
Spirit of Destiny to pray to the Great Spirit of light.
Commentary: This is a
reference to the idea that Orunmila the historic prophet of traditional Yoruba
culture was a medium or Ela.
Ela ro.
Ifá ko je ki iwaju re se
dundun more on tolu.
Spirit of Light descends.
Remove the thorns from the front and rear.
Commentary: The
invocation is asking us to remove our resistance to possession.
Ela ro.
Ifá ko jeki eyin re se
worowo.
Spirit of Light descends.
Remove the thorns from the middle.
Commentary: The
invocation is again asking us to remove our resistance to possession.
Ela ro.
Ela ni ‘waju
o di Odundun.
Spirit of Light descends. At
the front place of Peace, the Spirit of Light becomes manifest.
Commentary: This is a
clear statement that possession is a consequence of alignment of the head and
heart which results in a state of inner peace.
Ela ni eyin o di Tete.
Ela ni agbedemeji o di
worowo.
At the rear place of Peace,
the Spirit of Light becomes manifest. At the middle place of Peace, the Spirit
of light becomes manifest.
Commentary: The removal
of ego allows for the higher self to overwhelm normal consciousness.
For me, the clarity of this
Oriki establishes the process of possession as an essential component in Ifa
spiritual discipline. In Ifa ritual the Oriki for Ela is preceded by Kiki
Orunmila. In the Yoruba language Oriki means praising the consciousness
of a specific Force in Nature. It is a reference to the ability to invoke
various forms of consciousness or possession to access information outside of
our direct personal experience. In the Yoruba language the word Kiki
means to praise. In Ifa we praise Orunmila as the prophet of our faith
and we invoke Ela to access the mysteries of Odu.
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